· Breakcore (1528)
The crappiest music EVER made... Even worse than trance.
| | · Chiptune (124)
Monophonic Synths, Nintendo Synths, and Emulation Synths, 8-bit samples. Chiptune tracks are the stuff we all love to hate.
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· Dark Ambient (91)
Dark and progressive music, very closely releted to Noise, and Industrial
| | · Digi-Grind (97)
Its like grindcore but with computers and even nerdier people.
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· DnB (221)
Hardbreaks, dark bass lines, and hoovers...
| | · Dubstep (96)
Originally comprised of elements of the largely South London-based 2-step, as well as elements of dub reggae. However the genre has quickly incorporated other influences.
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· Experimental (397)
Breaking the confines of a normal Genre.
| | · Freeform (120)
Bouncy hardcore techno, heavy acid influence, neither happy, or gabber.
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· Frenchcore (24)
Fast hardcore style oscilating between 180-250 bpm with characteristic bassdrum. Came to hardcore scene from freetek parties in France where had been played with tekno and hardtek.
| | · Gabber (119)
Dutch hardcore techno
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· Glitch (88)
Twitchy, breaks, with little assemblence.
| | · Glitch-Hop (22)
Hip hop that more than bounces and shakes, it quakes.
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· Glitchcore (49)
Possibly the most incomprehensible hardcore music.
| | · Grime (11)
Grime is a sub-genre of urban music which first emerged in London in the early 2000s, primarily a development of UK garage, drum and bass, dancehall and hip hop.
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· Happy Hardcore (28)
Happy Hardcore is probably the best known, and best selling variant. Happy hardcore focuses on being positive and high energy.
| | · Hardcore (196)
4 to the floor pounding beets, the 909s FAVORITE genre.
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· Hardstyle (21)
Characterized by hard synth riffs and the 4 to the floor bass line. Usually has a sample that is played multiple times through the song, looped or chopped.
| | · Hip-Hop (56)
Heavy urban beets, and simplicity make hiphop what it is.
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· IDM (189)
Intelligent Dance Music.
| | · Industrial (112)
Focusing on the mechanical side of music, musical entropy.
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· Mashcore (130)
Country one second, drum and bass the next, and always hardcore.
| | · Midi-Core (9)
The even nerdier way to version/way to define Digi-Grind.
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· Noise (93)
The bastard child of industrial, and ambient. Drones, loops, and machine sounds
| | · Noisecore (54)
Very noisy hardcore. This style is related to Speedcore and Terrorcore.
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· Raggacore (100)
Heavy over use of the amen, and a ragga sample.
| | · Schranz (22)
A style based around massively bass-heavy kick drums, driving percussion and distorted, looping synth noises..
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· Speedcore (106)
With tracks can range from 250 bpm all the way up to 1000 bpm.
| | · Splittercore (22)
With tracks that can range from 400 bpm all the way up to 3000 bpm. Based on Extratone theories.
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· Terrorcore (31)
Terror from Holland which employs the use of scary or evil sounding samples and sounds to give the tunes a frantic terror feel. Popularized in Rotterdam, Holland in the mid to late 1990s.
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